La atribución psicológica a personajes de ficción

Bibliografía

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Currie, G. (1991), “Visual fictions”, The Philosophical Quarterly, pp. 129-143. 

—. (1995a), Image and mind: Film, philosophy and cognitive science, Cambridge University Press. 

—. (1995b), “Imagination and simulation: Aesthetics meets cognitive science”, en: Davies, M. y T. Stone (eds.), (1995), pp. 151-169. 

—. (1997), “The paradox of caring: Fiction and the philosophy of mind”, en: Hjort, M. y S. Laver S. (eds.), (1997), pp. 63-77. 

Davies, M. y T. Stone (eds.). (1995), Mental simulation: Evaluations and applications - Reading in Mind and Language, Wiley Blackwell. 

Gaut, B. (1993), “The paradox of horror”, The British Journal of Aesthetics, 33(4), pp. 333-345. 

Gomila, A. (2011), “Emociones en el teatro: ¿por qué nos involucramos emocionalmente con una representación?”, Ponencia en el congreso: La representación de las pasiones, Madrid. 

Hjort, M. y S. Laver (eds.) (1997), Emotion and the Arts, Oxford University Press. 

Lamarque, P. (1981), “How Can We Fear and Pity Fictions?”, British (The) Journal of Aesthetics London, 21(4), pp. 291-304. 

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Walton, K. (1978), “Fearing fictions”, en: The Journal of Philosophy, 75(1), pp. 5-27.